Alexander Robertson: Broadway’s Young Visionary Shaping a New Era at 26

At just 26 years old, Alexander Robertson is redefining what it means to be a young powerhouse on Broadway. With a roster of acclaimed productions already under his belt—including Cabaret, Smash, Betty Boop, and Gypsy—Robertson’s career trajectory is nothing short of extraordinary.

His previous credits are equally impressive, spanning from the emotionally charged Appropriate and the iconic The Wiz to New York, New York, The Piano Lesson, A Beautiful Noise, and the revival of Kinky Boots. Today, Robertson continues his upward climb with the national tour of Here There Are Blueberries and an exciting slate of new works in development, including Yasuke – The Black Samurai (musical), Insurance (play), The Chef (musical), and his first feature film, The Mensch, starring Jonah Platt.

Beyond the stage and screen, Robertson is forging new paths with innovative projects that aim to merge the sports and theater worlds—an idea he believes will revolutionize audience engagement through the power of live storytelling and modern media.

As the founder of Emlex Entertainment and co-founder of DMQR Productions, Robertson's rise reflects a dynamic blend of business savvy, artistic vision, and relentless determination. A graduate of The Hartt School, University of Hartford, with a BFA in Music Theatre and a minor in Performing Arts Management, he credits his education with equipping him to lead with both passion and precision.

We caught up with Alexander Robertson to hear more about his journey, inspirations, and the bold future he’s creating in entertainment:

At just 26, you've already co-produced an impressive slate of Broadway hits like Cabaret, Smash, and Betty Boop. What inspired you to pursue producing at such a young age, and what do you feel sets your creative vision apart?

"Almost working four years on Broadway as an African American male was major for me. I always wanted to pursue a career on Broadway, but the pandemic changed everything. That’s when I had a major opportunity. I always thought I would become a studio producer—but life took a different path. Broadway opened its doors, and it has been a beautiful journey ever since."

Your producing credits span diverse works—from classic revivals like Gypsy and The Wiz to original musicals like Yasuke – The Black Samurai. How do you decide which projects to get behind, and what draws you to a story?

"Yasuke was pitched to me. When I listened to the show, heard the music, and saw the videos, I immediately knew I wanted to be involved. It artistically aligned with my values. The storytelling is beautiful and meaningful. It’s definitely a blessing to be part of it, and I’m super excited about where it’s going."

You're currently working on The Chef and Insurance, plus the feature film The Mensch. What excites you most about venturing into both stage and screen, and how do you balance the two worlds?

"The Mensch is a film about a rabbi and her journey. The Chef is a musical being written with Sam Nasar, and Insurance is by a young playwright, Téa Wolk—it’s a 90-minute play soon to debut on stage. Balancing both film and theatre is exciting because they allow me to express creativity in different mediums."

We heard you're working on a unique project that merges the sports and theatre worlds. Can you give us a sneak peek into that concept and how you see those two cultures intersecting?

"I can’t reveal too much yet, but I believe there’s huge potential in merging sports with live performance. The visibility, the energy—it’s like how sports media dominates today. A live-action production inspired by the sports world could be just as impactful. With today’s technology and media power, the sky’s the limit."

 As a graduate of The Hartt School with a background in both performance and management, how has your education influenced your approach to producing—and what advice would you give aspiring young producers entering the business today?

"My education is utilized 100%. I’m extremely proud to have attended such a prestigious college. It taught me to take a holistic approach to the industry, blending creativity with strong management. My advice to young producers: always be curious, stay passionate, and never stop learning. Tune in to Broadway—you’ll be seeing a lot more from me with productions like Gypsy, Betty Boop, and Smash on the horizon."

Alexander Robertson stands as proof that bold dreams, when matched with relentless work and an open heart, can shape industries. As he continues to produce, innovate, and inspire, the future of Broadway—and beyond—looks brighter than ever.

Stay tuned. The best is yet to come.